Impressionist plein‑air painting of
Subject
. Lively, visible brushstrokes with broken color; soft edges and scumbled transitions shape forms rather than hard outlines. Mid-distance framing, natural eye level, subject placed on the rule of thirds with airy negative space and gentle background falloff via atmospheric perspective. Leave generous breathing room; orientation adapts to subject (portrait or landscape). Outdoor light at Time Of Day, side-lit, producing dappled highlights and soft, cool shadows; luminous air with a slight haze. Color design follows Palette, with warm-cool shifts (warmer sunlit planes, cooler shaded planes) and small vibrating complements for sparkle. Painterly surface with occasional impasto highlights, subtle canvas grain, and a delicate bloom. Balanced contrast, cohesive composition, serene yet lively mood.